trying to stay in the saddle

[image: the Osmington White Horse]

It has been SO LONG since I’ve been here. As with everything, then the guilt of NOT doing something accumulates, and then there’s so much water under the bridge that… the task becomes impossible. Or feels it.

However. It is not like me to stop something or give up. There are lots of reasons — some of which I’ll post about here — why I keep repeating this to myself. Never give up.

First: the really fab news that I hinted about last time. Way back in March of this year, 30,000 words from my memoir about Child Sexual Abuse (Learning to Survive) won Highly Commended in the Bridport Memoir Awards. Soon after, I discovered that there were about 1,000 entries. Top 5 out of 1,000 entries. It has been such a joy, a real lift, to have my work validated and valued in such a competition. One of the HUGE blocks to getting stories of CSA out is the resistance of the ‘mainstream’ (whatever form that takes — whether media, arts, medicine) to hearing about these stories. Those of you who circulate in this world of survivors know all too well: the ‘mainstream’ is hugely more likely to draw back than to bear witness, or listen, or support. The ‘mainstream’, generally, turns away.

My prize in the Bridport felt like the beginning of something — at last! I have been struggling for two years to get a bit of purchase for Learning to Survive. My frustration has always been: I have published five books, one of them prize winning, and my work has been collected in various high profile national anthologies, published in newspapers etc. So WHY — why?! — is this book, a book I know is worthwhile and sound and well-written — staggering through almost universal rejection from literally dozens of potential outlets? The Bridport win gave me hope that the book may now be championed — despite the lack of precedent in the publishing world for stories such as mine (as OURS) — hope that someone may be willing now to take a risk.

Second, and alas, it’s clear now that the Bridport accolade has made little difference to the book’s future, at least in the UK. As a result of the Bridport however I have met some wonderful people, people cheering me on, people who — alongside me — are shocked that I’ve not been able to place the book. I’ve also been in touch with some of the judges/readers of the Bridport for advice from within ‘the industry’: from each, the writing is lauded (more than my writing has ever been lauded before, just for comparison), the subject acknowledged as important and vital, my handling of it ‘just right’…. but these effusive compliments are mitigated with ‘the subject is too dark to sell’, ‘maybe child sexual abuse has been done to death’ — etc. In other words: great writing, but the material itself is unpalatable. It’s scary. It’s ‘too much’ for readers. Not worth the risk for publishers. I want to scream what about memoirs about the Holocaust? What about memoirs about domestic violence? Murder? Grief? They exist, and they are ‘dark subjects’; they are horrifying and difficult. Yet somewhere along the line, someone has considered them important enough to be in circulation. Important enough to learn about, to witness. Not so Child Sexual Abuse, clearly.

I have indulged in a couple of threads on Twitter around these responses. Here, in short:

1) CSA affects at least 15% of the population, of ALL adults and children. THERE’S your readership publishers, not to speak of the millions of people who love, support, and care for survivors. It’s a huge audience, ready-made, an audience in dire need of stories which speak to their experiences. Which break the awful silence and shame, which raise social awareness. Which comfort and support, which tell them they are not alone, that there is a future for them and all of us.

2) Child Sexual Abuse has absolutely NOT been ‘done to death’. What we do hear a lot about are ‘serial’ pedophiles such as Savile, Maxwell, Epstein. What we do hear about are ‘monster narratives’ about ‘evil people’. We read about abuse that happens ‘over there’, that is NOT in our lives. We do not read about intra-familial CSA, or CSA perpetrated by someone the child knows. Which makes up 90% of all CSA. We do not read about abusive fathers, uncles, grandfathers, brothers, babysitters, boyfriends, carers. We do not read about the most common form of CSA, that which happens in our lives, right under our noses.

3) There is a clear moral imperative to publicise these stories. Given that there are millions of survivors in the UK alone, and thousands of millions of survivors around the world. Given that these victims and survivors are — wholesale, forcibly — drowning in silence. Given that most survivors of ‘everyday’ CSA believe that they are pretty much the only victims of this in the world. That they are alone in their trauma and loss and shame. Given all this, survivors surely deserve better. There is only one literary memoir published in the UK about CSA (by Clare Best), and only a very few in Europe and Australia. We deserve more. We deserve to be seen. We deserve to be included in the long list of wrongs which need righting in our world.

4) Finally: it’s insulting to label anyone’s suffering as ‘too dark’ for general consumption. Particularly if that suffering is widespread, or ultimately turned toward doing good. My book and writings, and the work of so many other survivors, exist with the explicit aims of relieving suffering and of prevention. Of reaching out, empowering, and bringing strength and hope. All of the abuse in my book is finished by 30,000 words in. The rest of the book — 35,000 words — is about survival, hope, and living.

***

I could go on. Fortunately, as you can see, my anger has returned. Anger turned inward is sadness and depression, and I admit that I have been battling these consequences over the last couple of months. I am silenced AGAIN. We are silenced AGAIN. It’s painful, re-traumatising, and heartbreaking.

I am holding on to the belief that things may be shifting. Slowly, granted, but shifting. There are hundreds of us doing work around CSA in the UK alone, and much of it makes forays into the mainstream. Recently, Channel 4 aired a documentary which told Emily’s story: her father was her abuser. Recently too, Nicole Caroli featured in the Metro newspaper — telling her story and raising awareness. (Nicole also runs an excellent blog, here.) Sophie Olson’s (The Flying Child’s) ‘Last Taboo’ Radio 4 programme, aired nearly two years ago, continues to break down barriers, as does her work with schools, midwives, social workers, etc (Sophie’s blog is here). The glorious and indefatigable Viv Gordon continues her moving performances and showcasing of fellow survivors, championing the necessity of their work. Elizabeth Shane publishes poetry and devotes her time to supporting and speaking up for survivors. Jane Chevous at Survivors Voices and Antonia Sobocki of LOUDfence (also at Survivors Voices) are frankly astonishing in their breadth and dedication to raising awareness and holding others to account in the world of CSA.

There are many more. We are forces to be reckoned with, and there are lots of us.

Many activist/survivors are old hands at this. They know the battles and are not giving up. I’m very new here. And the stark nature of these battles has hit hard. The reality that CSA is drenched in stigma and silence, at every turn, regardless of external validation and the accompanying shocking statistics around CSA — still, in the 21st century! — has hit hard. The fact that my book seems not to stand a chance in this country due to social attitudes toward something that has nothing to do with me — that was not my fault, that I did not choose, that I wish more than anything had never happened — has hit hard. Once again, I’ve had to face that none of this is my fault. Yet I still suffer the consequences.

Saying all this: I cannot give up. I won’t give up. I am able to speak when so many cannot. It really is that simple. I’m back on the horse, with my sights now turned to the US market. I welcome any tips, advice, leads. Something has to give.

2 thoughts on “trying to stay in the saddle”

  1. Hi Patricia, I’ve recently published Because It Didn’t Stop When It Ended with Fortis Publishers under their Gutenberg Press label. Contact Fortis and submit your manuscript/s if you haven’t already. They take risks on our type of material. Good luck and well done for managing to stay in that saddle. You are amazing!

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    1. Thank you Tricia! Congratulations on your publication! Brilliant. I have looked into Fortis before — they do look very interesting. At the moment though I’m (still!) hoping to publish along a more traditional route, mainly for the distribution and potential marketing opportunities. It’s so very difficult to get books into shops, and collaborative or self-publishing increases the difficulty by a long way. The other outfit I’m looking at (eventually) is Unbound. They DO get some distribution, and they are also good at marketing. However that is fully funded by the author. Really hoping your book does well — we need you!

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